Confessions of a Bookaholic



review: brave new world

 tháng 6 02, 2013     No comments   

Print Giveaway Coming Soon
book info:
on sale: now
copy from: book trade at school library
pages: 259
review written: 24/5/13--2/6/13
edition read: Harper Perennial Modern Classics
originally published: 1932


Far in the future, the World Controllers have finally created the ideal society. In laboratories worldwide, genetic science has brought the human race to perfection. From the Alpha-Plus mandarin class to the Epsilon-Minus Semi-Morons, designed to perform menial tasks, man is bred and educated to be blissfully content with his pre-destined role.

But, in the Central London Hatchery and Conditioning Centre, Bernard Marx is unhappy. Harbouring an unnatural desire for solitude, feeling only distaste for the endless pleasures of compulsory promiscuity, Bernard has an ill-defined longing to break free. A visit to one of the few remaining Savage Reservations where the old, imperfect life still continues, may be the cure for his distress…

Aldous Huxley (1894-1963) was born in the upper-middle class of English society in Surrey, England. He attended Eton College (where he lost sight for two years) and then moved on to study at Balliol College where he receiveBd a BA in English He is the writer of Crome Yellow, The Doors of Perception, and Island. Initial reactions to his book Brave New World were negative. One of the worst was "[He] has money, social position, talent, friends, prestige, and he is effectively insulated frm the misery of the masses. Of course he wants something to worry about--even if he has to go a long, long way to find it...Mr Huxley must have his chance to suffer and be brave" This may have come from the fact that Huxley did not fight in World War II, but nonetheless was a cruel remark. "With the rise of Facism in western Europe and a world shaken by massive economic depression, perhaps the novel hit too close to bone"


my thoughts:
Brave New World is a modern classic, a fiction work intended to warn readers of a possible but "unimaginable" future. The title is quite interesting, and comes from a bit of dialogue that a character says in wonder "O brave new world...O brave new world that has such people in it" when he "falls in love" with another character. I think he must have meant a new world in that love changes his perception of the world, or more obviously the "utopia" (or "dystopia") that the whole book depicts. There's an interesting epigraph before the book starts that was originally in Russian, but translated in the book to French, of which I got translated to English.

Les utopies apparaissent bien plus réalisables qu'on ne le croyait autrefois. Et nous nous trouvons actuellement devant une question bien autrement angoissante : comment éviter leur réalisation définitive ?… Les utopies sont réalisables. La vie marche vers les utopies. Et peut-être un siècle nouveau commence-t-il, un siècle où les intellectuels et la classe cultivée rêveront aux moyens d'éviter les utopies et de retourner à une société non utopique moins "parfaite" et plus libre.
"Utopias seem to be much more achievable than we formerly believed them to be. Now we find ourselves presented with another alarming question: how do we prevent utopias from coming into existence? …Utopias are possible. Life tends towards the formation of utopias. Perhaps a new century will begin, a century in which intellectuals and the privileged will dream of ways to eliminate utopias and return to a non-utopic society less “perfect” and more free.”
– Nicholas Berdiaeff, translated from the French by Shmoop
Epigraphs are key in knowing what a book is about, and unfortunately, I didn't translate it before I read. If I had, I think I would have read the book differently. If Brave New World was an essay, then that quote would be the thesis. Now the cover of the book, the one shown next to the summary, is my favourite. It shows pale, vague forms of humans in marching position, imitating soldiers, which go with the time period this was written in, with the rise of Facist Italy and Socialist/Nazi Germany. I thought of Nazi Germany when I saw this cover (I read the book with the cover as a man in a suit with a machine contraption on his head) because in this book, there are massive numbers of "twins" synthetically produced to create the perfect "work-force" and large amounts of people look exactly alike. This could be similar to what Hitler attempted to do by creating the "perfect Aryan race" of blonde and blue-eyed Germans. At the time of its publication, it's understandable why people didn't like his book.

Taking place in modern-day London, the book begins with a tour of the Central London Hatchery and Conditioning Centre. The tour takes the reader through how humans are mass-produced and conditioned to believe the same things, following the saying "If a lie is told enough times, it becomes the truth". After that really interesting introduction, the characters are introduced. First, Lenina Crowne, a beautiful and popular girl who has slept with hundreds of men. Then Bernard Marx, the outlier, and lastly the most important character: John the Savage, the "uncivilised" outsider who to us would appear the most civilised.

Some of the minor characters include Fanny, Lenina's friend to whom she blabbers to about men and clothing ("He's so ugly!"). There's Helmholtz, Bernard's fellow social outcast. And there's Linda, John the Savage's mother. Now humans are artificially produced, and the family unit is a taboo occurrence of the past. John having a mother is shocking, and equally shocking is that Linda, who grew up in this utopia of London, is the mother. All these supporting characters are crucial to understanding the main ones. There's a term for them that I forgot that means "a character that brings the good or bad out of another character". They're all foil characters.

There's one thing about this book that makes me not like it. I don't think I can blame Huxley for it, but the role of women in this novel is degrading. Is it so impossible to imagine, I asked myself, that in the future (the utopia) that gender equality could exist? Lenina's role in this book is like all wimpy, supporting-actress, damsel-in-distress, "oh dear, oh my! how positively horrid!" kind of women that existed back in the 1920s, The Roaring Twenties, the age of flappers. Lenina is depicted in one scene as a "whore" but there isn't one where the men are depicted as say "man-whores" and there isn't anything explicitly degrading them for sleeping with tons of women. In fact, in this society, that's still considered a level of one's status: number of girls a man has slept with = popularity.

Apart from the blaring issue of gender inequality, the "warning" of the story was clear, but a bit wasted, I think. Mass production today is certainly de-humanising the world, ever since the 1970s I think (or way back to 1800s (Industrial Revolutions). French graduate students protested not being able to find jobs after getting out of university, shouting "Métro, boulot, dodo" or "train commute, mindless work, sleep" highlighting the new age. Though we haven't come to the point of artificially "birthing" human babies large scale, advances in science can definitely do just that.

Overall, I think Brave New World was a so-so book. I liked it enough, but I don't recommend this. If you've read this, what do you think?


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armchair bea: keeping it real

 tháng 5 31, 2013     No comments   

my road of blogging, there's many more posts to come :)

Hello readers and visitors!
   I feel awful because I haven't been visiting as many blogs as I'd like to. I'll definitely put more of an effort today! And for those who haven't been lazy like I have and have found your way to this post: I admire you so much. Thanks for stopping by!

How do you not only grow an audience, but how do you keep them coming back for more?


I'd like to say I've only lost 1 follower since reaching over 650. And I keep saying that the only reason I seem to be able to keep this many is by being myself and being honest. I know that sounds absolutely over-said and sappy, but its true. Honesty is key in keeping an audience.

If you have been around for years, how do you keep your material fresh?


My material consists of reviews, and reviews are always fresh. They're just my analysis and opinion about a book: it varies for each book. There are some things that I repeat way too often, like how characters are key, how cheesy YA romances are, weak female heroines, unrealistically hot guys, how amazing The Shadow of the Wind is...all of these things I'm completely aware of. I haven't mentioned a few of them recently, except for The Shadow of the Wind (as you read earlier). I think all bloggers have similar experiences to mine. Those repeated things I listed above were only problems I reported when I read young adult fiction. Now, with classics, I don't have that problem, which is why I love classics and modern classics so much. I almost felt diseased when I kept reading pretty much the same things repeating over and over in different books, like a cacophony of bad literature (no offense) when I suddenly took this magic medicine that "cured" me. I'm diverting from the actual question: my apologies.

How do you continue to keep blogging fun?


Fun for me, or for my readers? I've kind of detached from the blogging world and my readers. I don't comment as often or visit blogs as often. I fear that it's what happened to me after reading too much young adult books: I became bored. I became over-critical and exhausted. I might still be, but I'm putting an effort into blogging again: thanks to Armchair BEA's schedule and topics given to me with deadlines. More than fun, I find blogging (more precisely, reviewing) crucial to me. The hiatuses I took...I completely forgot about blogging and didn't even think about it. But when I came back, I...enjoyed it. I enjoy formulating my thoughts into words and solidifying my opinions on a stable outlet. Why I need to keep blogging:

  • I'm more aware of who I am (as weird as that sounds). My honest thoughts can no longer hide in my head once their online. Like I said before, blogging solidifies my opinions. Not only on books, but on occasion I'll type something up and be like "Wow, that's deep. Do I really think that way?" After all, my typing is loads faster than my writing, and always easier to read than my "fast-writing".
  • I can keep track of books and my initial thoughts to them: My primary motive for blogging was to keep track of books. And of course, its interesting to see how my perspective changes later on when I look back at books I've read. This blog is like road of time: I can go back to certain dates and look at what I wrote, how I sounded like, who I was. Sadly, I wish I had kept another blog about my personal life. My diaries have been neglected for months, even years. My last entry before writing in it two days ago was last year.
I've never considered my blogging to be fun to others. I hope my readers enjoy what I write, and I'd like to think they stick around because they do. Another over-repeating motto I keep spewing out is "If you truly enjoy reading my blog, you're welcome to follow. If for any other reason you wish to follow my blog, I would reconsider". I don't want to make it seem like I'm some amazing blog that only exclusive people can read, no I just don't want to bother or waste other peoples time. Do something because you truly want to.

Ah, now that I have given you all my sagely, old-blogger wisdom (which totally went off-topic), what's your response? Leave a comment and I'll visit your post!
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armchair bea: literary fiction

 tháng 5 30, 2013     No comments   

This a genre I love so much, and I can't wait to discuss it! I'm not into reading recently published for many reasons. Mainly because its too expensive and because I'm focusing on classics. I feel like classics are the foundation to reading and I'm embarrassed that I don't know many classics. Granted, I have read many more than the average teenager, but its not enough for a bookaphile!

Are there any books I'm excited about (this year)?

I'm a massive Hosseini fan, and when I heard that this was coming out, I think a part of me died from excitement.

An unforgettable novel about finding a lost piece of yourself in someone else.

Khaled Hosseini, the #1 New York Times–bestselling author of The Kite Runner and A Thousand Splendid Suns, has written a new novel about how we love, how we take care of one another, and how the choices we make resonate through generations. 

In this tale revolving around not just parents and children but brothers and sisters, cousins and caretakers, Hosseini explores the many ways in which families nurture, wound, betray, honor, and sacrifice for one another; and how often we are surprised by the actions of those closest to us, at the times that matter most. 

Following its characters and the ramifications of their lives and choices and loves around the globe—from Kabul to Paris to San Francisco to the Greek island of Tinos—the story expands gradually outward, becoming more emotionally complex and powerful with each turning page.

What authors/novels would you recommend to someone new to the genre?


  1. Carlos Ruiz Zafon
  2. Khaled Hosseini
  3. Markus Zusak
  4. John Green


Honourable Mentions:
  1. The Sky is Everywhere by Jandy Nelson
  2. Forbidden by Tabitha Suzuma
  3. A Single Shard by Linda Sue Park

Are there any misconceptions or things that you'd like to clear up for people unfamiliar with literary fiction?


I don't think there are any misconceptions about literary fiction, not so much as other genres like horror ("Oh no, I don't have the stomach for it") or mystery ("I always flip to the end! Haha, I can't stand not knowing!") or fantasy ("Just a bunch of dragons and voodoo magic, bah. It's not realistic!"). Literary fiction just is. While searching for titles, I tried not to tread into "classic" or "modern classic" territory because there's a thin, wavering border between them.

What got you started into this kind of book?

There was never a definitive moment where I just delved into literary fiction. I unknowingly started to read books that fit into the genre because I classified everything as "young adult fiction" and "adult fiction".

Name a novel that hasn't received a lot of buzz that definitely deserves it.

The Caliph's House by Tahir Shah
In the tradition of A Year in Provence and Under the Tuscan Sun, acclaimed English travel writer Tahir Shah shares a highly entertaining account of making an exotic dream come true. By turns hilarious and harrowing, here is the story of his family’s move from the gray skies of London to the sun-drenched city of Casablanca, where Islamic tradition and African folklore converge–and nothing is as easy as it seems….

Inspired by the Moroccan vacations of his childhood, Tahir Shah dreamed of making a home in that astonishing country. At age thirty-six he got his chance. Investing what money he and his wife, Rachana, had, Tahir packed up his growing family and bought Dar Khalifa, a crumbling ruin of a mansion by the sea in Casablanca that once belonged to the city’s caliph, or spiritual leader.

With its lush grounds, cool, secluded courtyards, and relaxed pace, life at Dar Khalifa seems sure to fulfill Tahir’s fantasy–until he discovers that in many ways he is farther from home than he imagined. For in Morocco an empty house is thought to attract jinns, invisible spirits unique to the Islamic world. The ardent belief in their presence greatly hampers sleep and renovation plans, but that is just the beginning. From elaborate exorcism rituals involving sacrificial goats to dealing with gangster neighbors intent on stealing their property, the Shahs must cope with a new culture and all that comes with it. 

Thank you all very much for stopping by! Leave a comment and a link to your own post so I can visit :D (psst: if you like my blog, I recommend following. A bit of shameless advertising, I know ^_^)

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armchair bea: blogger development and genres

 tháng 5 29, 2013     No comments   

Hello everyone!
   Today's discussion for Armchair BEA is Paths to Becoming a Better Blogger. I'd like to say I have experience as a blogger with almost five years, but I'm still growing.

Blogger Development

 Have I branched out in the community?

 No, I have not. I'm a closet-blogger and sometimes I feel that I should go out there and talk to people about Pages. But the opportunity hasn't struck.

Do I partner with other bloggers?

 Ah, the affiliate-craze of 2010. I was affiliates with Cate from Sparrow Review (she left), Liz from Cleverly Inked (also left), Brent from Naughty Book Kitties (stopped being affiliates) and my last, surviving afffiliate, Precious from Fragments of Life (we haven't done any big stuff of late!). On my writing blog, I hosted competitions with other bloggers and I'm planning another one now. As for Pages, I've been going solo.

How has my online personality developed over the years?


When I first started out as an almost-thirteen year old blogger, I was quite naive and immature. You can totally check out my old book reviews and such: HOW embarrassing. I wrote literally a sentence or two as a "review" and wrote comments on other blogs with excessive exclamation marks and emoticons. I can definitely say I've matured. My online personality has always reflected my actual personality: so its not as if I have a double identity: my real and my online one. They're two of the same and I believe its better that way. Keeping it real and being honest are two important aspects of my life. Besides, I don't want to show someone this website and have them say "Wow, doesn't sound like you at all". Blogs are an extension of the writer (like wands are to wizards).

Of course, I'm more formal and sophisticated when I blog than when I speak. I have the time to find the right words and being a writer, I can put my thoughts into words better than I can put my thoughts into verbal speech, if that makes sense?

Genres

As defined by Wikipedia:

Genre fiction, also known as popular fiction, is plot-driven fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre.[1] Genre fiction is generally distinguished from literary fiction. Screenwriting teacher Robert McKee defines genre conventions as the "specific settings, roles, events, and values that define individual genres and their subgenres."[2] These conventions, always fluid, are usually implicit, but sometimes are made into explicit requirements by publishers of fiction as a guide to authors seeking publication. There is no consensus as to exactly what the conventions of any genre are, or even what the genres themselves are; assigning of works to genres is to some extent arbitrary and subjective.
Genre fiction is often dismissed by literary critics as being pure escapism, cliched, and of poor quality prose.


I enjoy reading genre fiction and I hope to expand my tastes by exploring horror and thrillers. I enjoy escapism, and that's not something that should be criticised. Everyone wants escape. I don't know what else to discuss on this matter, so leave comments or links to your posts so I can visit them!
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armchair bea: introduction

 tháng 5 28, 2013     No comments   


Hello everyone!
 I am back from my hiatus! I've actually been working on a review of Brave New World by Aldous Huxley these past few days to break the ice, but I'm procrastinating on that. Instead, I thought I'd do something more fun and interesting and current: like Armchair BEA!

 I've to chose from a list of questions, some that are such typical "interview" questions that I think I'll just link to posts where I've answered them in the full :) I hope you all don't get bored or anything, I'm not all that interesting!

1. Please tell us a little bit about yourself: Who are you? How long have you been blogging? Why did you get into blogging? 

Good question. Who am I? I don't know myself, and I don't want labels to define me. But it's the only way to put myself in words, so: reader, writer, student, friend, blogger. I have been blogging for 4 complete years and I'm going on my fifth (I started in October of 2008). I initially started blogging with a friend in elementary school about global warming issues, but decided I wanted a blog that I could run by myself on something else that I felt passionately about: reading.

2. Have you previously participated in Armchair BEA? What brought you back for another year? 

I have. I participated in 2012 (here) and I remember having fun and wanted to do it again! Honestly, I forgot until I saw another blogger's interview post and remembered. Don't look at me like that! I've been on hiatus, I had no idea!

3. What are you currently reading, or what is your favourite book you have read so far in 2013?

I haven't been keeping up with modern YA novels and in fact, I've been reading the classics, like Dracula and The Stranger. I'm currently reading Nausea by Jean-Paul Sartre. It's absolutely amazing!

Winner of the 1964 Nobel Prize for Literature, Jean-Paul Sartre, French philosopher, critic, novelist, and dramatist, holds a position of singular eminence in the world of letters. Among readers and critics familiar with the whole of Sartre's work, it is generally recognized that his earliest novel, La Nausée (first published in 1938), is his finest and most significant. It is unquestionably a key novel of the twentieth century and a landmark in Existentialist fiction.

Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogues his every feeling and sensation. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spreads at the bottom of the viscous puddle, at the bottom of our time—the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain." Roquentin's efforts to come to terms with life, his philosophical and psychological struggles, give Sartre the opportunity to dramatize the tenets of his Existentialist creed.


4. If you could eat dinner with any author or character, who would it be and why?

Last year, I said J.K. Rowling. This year, I'll say...Albert Camus (The Stranger). First of all, he's pretty hot. He's my latest literary crush, and I think my first. He's got that suave, classy French feel about him.
Second of all, he's a French Existentialist (not the German sort) and I'd love to hear him "lecture" with me over a cup of cafe. Existentialism is a complicated subject matter and what I read tends to differ from other existential writings. I'd love to learn from Camus!

5. What literary location would you most like to visit? Why?


If you all have read The Shadow of the Wind by Carlos Ruiz Zafon (its my writing-bible), then you'll know about the Cemetery of Forgotten Books. It's a secret library in Barcelona that safe-guards books. If one is introduced to it, then that person must chose a book to protect and is allowed to put a book inside. The setting of the novel is when the main character, Daniel, chooses a book called The Shadow of the Wind and learns that its the only surviving copy at that someone has been systematically destroying all copies of the works of Julian Carax (author of The Shadow of the Wind). It's such a romantic idea, and it sounds like a book lovers' paradise and hell all in one. That magical gothic feel I got for it while reading attracts me to it. If you haven't already read The Shadow of the Wind, I highly recommend it!

So there are my five questions! Thank you so much for stopping by, and have fun travelling to other blogs :)
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review: the fountainhead

 tháng 4 20, 2013     No comments   




book info:
on sale: now
copy from: my English teacher (loaned it to me)
pages: 694
review written: 19/4/13
edition: Centennial Edition (Signet)

When The Fountainhead was first published, Ayn Rand's daringly original literary vision and her groundbreaking philosophy, Objectivism, won immediate worldwide interest and acclaim. This instant classic is the story of an intransigent young architect, his violent battle against conventional standards, and his explosive love affair with a beautiful woman who struggles to defeat him. This edition contains a special afterword by Rand’s literary executor, Leonard Peikoff, which includes excerpts from Ayn Rand’s own notes on the making of The Fountainhead. As fresh today as it was then, here is a novel about a hero—and about those who try to destroy him. (goodreads)

Ayn Rand was a Russian-born, European identified (writer), American novelist who was a high school student during the Russian Revolutions. She denounced the Bolshevik Revolution (rise of radical socialists, led by Lenin, that murdered the tsar). With a Communist victory, her father's pharmacy was closed. Then when she went to the University of Petrograd, it was taken over by Communist thugs. When she came to America, she published many of the famous works she is known for. When she wrote The Fountainhead, her protagonist, Howard Roark, was to represent "man as he should be" "the ideal human". However, her book Atlas Shrugged is most famous of all her writings. Rand became famous for being an advocate of individualism and even more famous for her new philosophy: objectivism.

My philosophy, in essence, is the concept of man as a heroic being, with his own happiness as the moral purpose of his life, with productive achievement as his noblest activity, and reason as his only absolute.
— Ayn Rand

When I first started reading this book, I was quite interested in the story. Howard Roark and his architect "rival" (though personally, I knew right away that they were never really rivals, that Roark is better) Peter Keating were stark opposites. I caught on to this immediately and found it fascinating to watch their interaction. However, over the course of the story, even though numerous characters were introduced all of whom had their own purposes. But I only ever cared about Roark and Keating: they're the main characters and I think all the others were just means to achieve an end. (note: Their relationship reminded me of Michelangelo and Leonardo da Vinci in The Agony and the Ecstasy)

The characters, including Roark and Keating, were all aliens. I couldn't relate to any of them, except Peter. I understood him because that's what Rand was trying to point out. Peter represents a majority of humanity. They're supposed to be "aliens" I suppose, but I didn't feel that attachment that I usually do when reading novels or books. Every bibliophile can relate to that feeling of connecting to a character as if he or she is a real person.

I don't like Ayn Rand's writing style. I noticed that it was not structured like a novel and more like an essay. From the first quarter I read from Tolstoy's Anna Karenina, Russians seemed to have spoken essay-like dialogues with each other and discussed philosophies like this. In The Fountainhead, the American characters all spoke like Russians. It was highly unrealistic that people would speak lengthy, philosophical paragraphs to each other whenever they encountered one another. I didn't like this part of her writing either. In fact, I think The Fountainhead would have been better off written in essay format. Just put together all the dialogues and have it be that.

While reading this book, friends have asked me "How is it?" and I've described, The Fountainhead as an essay with a story wrapped around it to prove the essay's point. The story itself seemed for the most part superfluous. If I look at it from a professional's point of view, or as if it were a super long essay: I would say that the philosophies and the way that Rand writes/explains them are effective and interesting. However, there's this one monologue near the last few pages that pretty much summarises everything the book was about and I feel that I could have just read the monologue and saved myself from reading the entire book. It starts at page 667. I think if you want to know what Ayn Rand is about, but you don't want to read this long of a book: flip to page 667.

I can't really describe whether or not I liked this book. I didn't like reading it, but I enjoyed some of the content. Soo....3 trees.

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update + new website!

 tháng 4 07, 2013     No comments   


Hello readers!
  Yeah, I've been gone for a hell of a long time: so sorry! I actually have been reading, and now that I have a week off from school: I can catch up! So far, I'm alternating between several books:

  • The Fountainhead by Ayn Rand
  • The Clockwork Prince by Cassandra Clare
  • Cat's Cradle by Kurt Vonnegut
  • The Lovely Bones by Alice Sebold 
   For some reason, I'm finding it difficult to read all of them. I read a chapter of the Lovely Bones, then started reading Cat's Cradle and then read a quarter of The Clockwork Prince and have read over a half of The Fountainhead. Why isn't there a book that I can stay interested in and finish? Am I going through a reading-crisis? Have you all been through this before? I mean, I'm medically depressed at the moment because there could have been a change in my medication dosage (I need to get that checked up), so lack-of-interest could apply to books as well? What do you think?

  Aside from that horrible issue I'm dealing with (the reading thing), I have spectacular news! Spectacular for me, anyway, but hopefully you'll enjoy it!
follow the lights :D to a new website!
 I have a new website! It's a personal blog, where I have more freedom to discuss various topics than I do over here: which is only for books. It's called "Kirthi Rao", my name, but I have yet to change it to something else, haha.

 So please support me and visit over here! Thanks :D Have a nice Sunday :) Saludos!
-Kirthi

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review: rooftops of tehran

book info: on sale: now copy from: public library pages: 348 review written: 21.12.17 originally published: 2009 edition read: Penguin NAL ...

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